The Power of
Relationships
A
Midsummer Night’s Dream is a play which focuses on the relationships dealing
with love between men and women. Shakespeare gives females the attention of
being superior, and these women are inferior to men and their own characteristic
of superiority. During the Elizabethan Era, in which Shakespeare wrote this
play, woman had arranged marriages where the marriage is arranged by the
parents of the man and woman getting married, instead of the man and woman who
chooses to marry each other. Egeus did not give his daughter, Hermia,
permission to marry Lysander who she was in love with, but instead wanted her
to marry Demetrius, who she was not in love with. Hermia’s friend Helena is in
love with Demetrius, but he is in love with Hermia. This constructs a bad love
triangle for them all. They fought to be with the one they love even though
everyone in their society was against these individuals. They took a stand for
true love and didn’t give up on what they really desired.
Hermia
is very independent and strong individual who goes hard for what she wants when
it comes to love. She not only demonstrates the hate she has towards Demetrius,
but she also shows the true meaning of fighting for what she wants. Emily
Squyer mentions in her essay, “Disregarding the standards imposed on women of
his time, Shakespeare created many female characters that were strong-willed,
intelligent, and daring. Hermia of
A Midsummer Night’s Dream is one such
character (
Squyer). She refused to let the decisions of her society to hold her
back and stop her from marrying the one she loved, Lysander. She ends up
ignoring her father and the Athenian laws of marriage, and running away from
Demetrius and her father. In the play, Hermia speaks of how Athens will no longer
be seen as paradise to her but as a place of hell, “that he hath turned a
heaven unto a hell” (Shakespeare, 188). Egeus, her father has made her home
feel like hell because of the pressure he has put on her to marry Demetrius.
Hermia still remains strong and does not show any form of weakness throughout
the whole process of her running away in the woods with Lysander.
Helena
the naïve and desperate character is also a strong woman with a dedicated
attitude to get what she wants. No matter how much she explains her love for
Demetrius to him, he still denies her heart. Helena
begs to be with Demetrius, “I am your spaniel; and Demetrius, The more you beat
me, I will fawn on you: Use me but as your spaniel, spurn me, strike me, Neglect
me, lose me; only give me leave,
Unworthy as
I am to follow you” (Shakespeare, 193). Here she shows how desperate she
is and how much she wants Demetrius to love her instead of Hermia.
In the words of Neeley Greene, “These words and
the entire alliance between Demetrius and Helena have the subtext of a sexually
sadistic and masochistic relationship” (Greene et al. 151). Demetrius responds back saying, “tell you I do
not nor I cannot love you” (Shakespeare, 193). Shakespeare presented Helena
as a woman seeking for her pride and that’s exactly what she intended to get.
At the end of the play she and Demetrius fall in love.
These
women, both Helena and Hermia, are independent, strong, and full of
determination. They know what they want and show plenty of actions that will
allow them to have what they want. Both women entire creation, emotional and
sexual life is restricted by the power of men; Demetrius and Lysander. Their actions also embody their different
characteristic by the actions they set forth to reach their destination which
is love.
Works
Cited
Greene, Lenz, Neely, eds. The
Woman’s Part: Feminist Criticism of Shakespeare. Chicago:
University of Illinois
Press, 1980.
Squyer, Emily. "The Feminist
Subtext of Shakespeare’s Leading Ladies." public.wsu.edu. N.p., 10
N. Web. 7 Jun
2012.
Shakespeare, William. “A
Midsummer Night’s Dream” Literature Fiction: Craft & Voice. Ed.
Delbanco, Nicholas. New York, NY. 2010. (184-220). Print